Advanced Search

progression, strokes, and pressure

Recent Forums Main Forum Welcome Mat progression, strokes, and pressure

Viewing 15 posts - 1 through 15 (of 27 total)
  • Author
    Posts
  • #31426
    Anonymous
    Inactive
    • Topics: 14
    • Replies: 427

    If achieving a straight and sharp edge…and this has been the result of many strokes with various stones. while the stone progression to getting a good edge, can be achieved according to experts here , even at # 600 grit.

    IM trying to see what is the progression of stones grits and strops by pressure and number of strokes ( ball park ).. I know all knives are different.

    given me some sort of estimate when trying to achieve a mirror image once an edge is sharp, are we talking heavy pressure at first, or light pressure through out the process… I know that visuals play a big part in going to the next level. But I have no idea what experience has taught the Pros here.

    what grit, what strop, how many strokes, how much pressure.

    what is your finally progression, final polish, strokes and pressure before calling it a day.

     

    Thanks

    Bill aka ET

     

    #31437
    CliffCurry
    Participant
    • Topics: 42
    • Replies: 461

    If achieving a straight and sharp edge…and this has been the result of many strokes with various stones. while the stone progression to getting a good edge, can be achieved according to experts here , even at # 600 grit. IM trying to see what is the progression of stones grits and strops by pressure and number of strokes ( ball park ).. I know all knives are different. given me some sort of estimate when trying to achieve a mirror image once an edge is sharp, are we talking heavy pressure at first, or light pressure through out the process… I know that visuals play a big part in going to the next level. But I have no idea what experience has taught the Pros here. what grit, what strop, how many strokes, how much pressure. what is your finally progression, final polish, strokes and pressure before calling it a day. Thanks Bill aka ET

    Aloha Bill,  Im no expert but I hope to share what Ive learned and how i do just that in a video over the next couple days.

    1 user thanked author for this post.
    #31438
    Anonymous
    Inactive
    • Topics: 14
    • Replies: 427

    Thank you.

    IM just trying to estimate some sort of time factor and actual work effort to go from start to finish, and the steps  in taking a knife from re profile, to sharp, to mirror polished.

    #31449
    Anonymous
    Inactive
    • Topics: 14
    • Replies: 427

    Wow 73 views to date and not one person with a clue as to this question, or a real answer. Thanks Alan, for your reply. Hope to see your input. Seems to me that there are a lot of people not willing to share or a lot of people without an answer.

    #31451
    CliffCurry
    Participant
    • Topics: 42
    • Replies: 461

    Thank you. IM just trying to estimate some sort of time factor and actual work effort to go from start to finish, and the steps in taking a knife from re profile, to sharp, to mirror polished.

    Id say offhand to take the time it takes you to go from 100-1000grit diamond paddles(6 steps) and double it….My own personal current “back half” procedure after 1000 grit diamond, is 1500 & 2000 grit wet/dry, and then lapping film in 12u, 9, 3, 1, .3….I do have a bunch of strop media(kangaroo, nano-cloth, and balsa wood) I am testing with ultra fine abrasives as I possible final finish….or not.

    Many of the pictures in the Super Polished Edge thread will list the unique progression the sharpener performed because it is subject to what grits and paddles he has such as ceramics, water stones, lapping films etc.

    It was a steep learning curve to get over before I had a scope, now its just a matter of wanting to experiment and enjoying the journey.

    Aloha, Cliff

    1 user thanked author for this post.
    #31452
    CliffCurry
    Participant
    • Topics: 42
    • Replies: 461

    As to your question of strokes and pressure, I use medium pressure from start to finish and I alternate my strokes at each grit level going like this ///// at 100 grit. like this \\\\\ at 200 grit and so on up to 1000 grit checking quickly with scope to make sure previous grit scratches are gone.

    3 things Immediately come to mind that make your question of “time” hard to answer.
    The type of steel, the length of the blade, and the thickness of the bevel.  All of these factors can change the time it takes to get a uniform scratch pattern at whatever grit stage you are currently at.  The easy answer is do it until its done, by which I mean that I have a routine I personally use that doesn’t take too long and then I check with scope.  If Im seeing this XXXX instead of this ///// or this \\\\\ I do a little more and adjust at the next grit with a few more passes and check.

    Again my personal routine, but after 1000 grit I go laterally with 1500 grit wet/dry and wipe the slate totally clean with a close inspection that ALL scratch lines now are going this way =====.  You could do the same at this point with ceramics but it may cause grooving in the stones.  This is my transition point to lapping film so a few moments more under the scope or an extra piece of film will ensure that I dont have a nasty ///// surprise appear faintly later and harsh my vibe.

    Lapping films go very quickly from grit to grit if they are spaced appropriately close together.  Each stage takes under 1 minute.  So lets say 2 minutes for each of the first 6 grits, and 1 minute for the following 7 lapping films, plus transition time and Id estimate a smaller, thin bevel knife could be done in 30 minutes under the right conditions.  Id still probably alternate between //// & \\\\\, then finish the last 2 final grits both going the same ===== direction.

    As a final note just going laterally after the 1000 grit paddles is a marked improvement in the finished look of the bevel.  Simply doing that step and maybe applying a micro-bevel on top is an excellent choice for a functional and beautiful look to the edge.

    Aloha, Cliff

    2 users thanked author for this post.
    #31453
    Anonymous
    Inactive
    • Topics: 14
    • Replies: 427

    Thanks Cliff, this gives me some ball park idea of time an technique. I’m experimenting almost daily, but I would like to get ” In the Ball Park… I was not sure if I needed 10 minutes of strokes per grip or 20 minutes, or 5.

    The scope does help me to see…I’m just not sure exactly what IM seeing. The scope is clear but IM still not 100% sure of what I am seeing. Your rely has been a big help, so I can keep my eye on the ball, and invest enough time to do it right, I’m not sure at this point what ” Exactly right actually is” but IM getting there.. I can make a knife sharp enough to cut myself… and the whole sharpening process has been taken to a new level with the WEPS. IM doing so well with sharpening, I can teel when it need a touch up…  I think that is a good step in the right direction..

    I need to find out, if I should be stropping with a wet strop, or a dry strop. Wet strops seem to glide so much easier, but I’m not sure if I’m actually cutting or polishing anything.. I have all types of stropping pastes up to and including #50,000 grit. Soon as the paste dries on the strop, the friction is very high ( lots of drag. Once I spritz ( mist ) the strop with a little water, it becomes very easy again.. IT feels like IM gliding through butter with a hot knife. SO do I want glide.. or do I want resistance….?

     

    #31456
    CliffCurry
    Participant
    • Topics: 42
    • Replies: 461

    Im currently not a huge fan(subject to change) of stropping and try to minimize it for a couple reasons…

    The more stages of stropping the more rounded the apex bevel will become.

    Stropping can scratch up a mirror polish.  One tiny piece of contaminate has several times ruined my day.  Just a few days ago I spent a bunch of time “disinfecting” all my strops and then sealing then in ziplock baggies before I start new testing on a finishing ultra light couple of passes with different substrates.

    I believe from reading here on the WE forum that stiction is desirable and it is then burnishes and blending the scratch lines smoother.  The problem I have faced with sticky paddles is that it then leans me towards using more force to move the paddle across the bevel, which if the angle is not kicked down a couple degrees the leather can roll right over the apex and round it off significantly reducing the sharpness.

    There are 2 aspects we are dealing with here, looks and performance, and they kinda go together.  In seeking a higher keenness to the apex, a mirror bevel is a nice side result.  Inversely if you do a careful grit progression down to a perfect mirror, then a refined smooth apex should form as well.

    Dealing with the final treatment of that apex for the most ultra refined edge possible is what I am currently focusing my own studies and experiments on.  Here is what I tried with the .03 micron lapping film as a reverse alternative to stropping:

    Results were inconclusive beyond it would wittle a hair…. due to not having a high enough power magnification(the reason I started the other thread on that btw).

    Id also like to do some experiments with different higher (+1500 grit) micro-bevels just to see how they “bite the finger” so to speak.

    1 user thanked author for this post.
    #31459
    wickededge
    Keymaster
    • Topics: 123
    • Replies: 2940

    It’s a tough question for me to try and answer because there is a large range within highly polished to somewhat mirrored. Most will tell you that a true mirror is nearly impossible to achieve. That’s probably true though I’ve come pretty close a few time inasmuch as there are almost not visible scratches at 2000x. The funny thing about the scopes is that they focus on such a small area that you can find completely scratch free areas at 2000x and yet can see scratches with a loupe at 10x… Still, I’ve gotten some bevels polished to where no scratches show up at 200x, so that seems to be getting pretty close. Those jobs took all day. I used the standard diamonds, then the full range of Choseras and then strops from 14/10 down to .125 cbn on kangaroo. Usually I have to go down to the .125 and then back up the strops scale and then back down, maybe more than once. Now that I’ve been playing with Cliff’s horizontal strokes, I think maybe I can cut that time down by a lot. I’m looking forward to playing with it.

    -Clay

    1 user thanked author for this post.
    #31477
    Anonymous
    Inactive
    • Topics: 14
    • Replies: 427

    Thanks again Clay, your comments help me to get inside your head. Sometimes deliberately putting down instructions, is not as beneficial as just talking about the process. Some times, the thought process is better expressed spontaneously, as oppose to thinking out a procedure and then typing  line by line.

    So from what I got so far is that, resistance should be felt. Dirty strops are part of the process, both metal and diamond dust in the strop. you do not want to strop off the edge with a soft well lubricated strop unless you back off the angle by 2 degrees. All seems logical to me

    You see, just discussing the procedure helps. Its the nuances and techniques that create the detail to take a structured sharpening, and make it more refined. Normally it takes a lot of practice to learn the tricks and get to feel the ” Feel ” , etc. Like many  things I’ve learned over the years. learning a new discipline in anything can be acquired in a relatively  short time ( the first 90 % of the art ) but it could take the rest of your life to learn the other 10 %.

    #31482
    wickededge
    Keymaster
    • Topics: 123
    • Replies: 2940

    The only caution I’d give is taking me for too much of an expert . My techniques are based on a lot of trial and error and some science, but I’m certain that we’re all only scratching the surface of the science. There are a lot of people on this forum that like very clean strops, don’t spray their strops etc… that get excellent results. I never have quite enough time to devote to all the science I’d like to get to, but occasionally I do get a few days when I can work at something consistently. The last two days have been that way and I’ve done a lot of investigation. So far, I think that the shortest route to a mirrored bevel was brought up by Cliff, and that’s doing horizontal strokes i.e. parallel to the edge and going on to the lapping films in the same way. I’ve discovered that I LOVE the 6µ and 3µ lapping films! I’ve also think, that while you can quickly get to a pretty fantastic mirror that way, it doesn’t produce the best edge. Perpendicular strokes are producing much nicer results for me right now.

    -Clay

    2 users thanked author for this post.
    #31483
    Anonymous
    Inactive
    • Topics: 14
    • Replies: 427

    I’ve identified people on this forum that have invested enough time and have offered, unselfishly their experience.. IM in the research phase of my quest to understand the process. So now I’m going from just slicing a tomato in a more precise and effortless manner, to asking why. This Why factor is the root of my curiosity.  My end game is not  so OCD ” yet”.  I’m just looking for a sharp edge, and a nice bevel presentation, and a means to get there.

    ON a side note, I see a lot of views in some of my recent posts… and I wonder just how many people lurk here, never asking a question or wanting to get communal. All the vets here, know how to read the post counts and activities. I have to assume that when there are 150 views and only two voices, that there are a lot more people who come here silently, than the  dozen people who post here on a regular basis.

    #31490
    Readheads
    Participant
    • Topics: 32
    • Replies: 308

    I noticed that your knife is moving a bit as you go towards the tip.  Doesn’t that affect stroke repeatability especially when you are trying to get to the perfect edge ?

    #31491
    Readheads
    Participant
    • Topics: 32
    • Replies: 308

    ET, I am only 3 months old in WEPS age.  I like to keep a dish of water on the side and do a finger dip onto my diamond stones.  I find it very effective at moving metal especially if it is the first time for a particular knife.  In setting the burr I am very aggressive and will use firm vertical strokes up to 25 per side then switch sides.  After the burr set I get less aggressive with each grit.  As far as pressure I tend to favor the lighter side.  As I move up the grit scale I start to almost feel the metal moving while tuning into the sounds.   I generally keep my nose behind the handle and try to watch the stone move for each respective side to minimize left/right biases.  Techniques similar to woodworking body motions help.  After the burr set, I alternate single side strokes 50 per side while counting to 100.

    I’ve been trying to use the full stone during a stroke which I think puts more diamond across the full edge for more efficient stroke.  What stroke do you use near the tip especially if it flexes ?

    I use isopropyl on my strops as a gentle lube and find that it works nice.  I don’t change the angles at all because duplicating that on the next sharpening would cause me to redo the burr (which isn’t too bad I guess). I do not have the time to go beyond the 3.5 um green paste.

    Also, remember I only do kitchen knives, the material hardness makes a difference. I have a Shun Blue Steel Knife (low carbon).  The feel while sharpening it is completely different than the stainless ones.  It can diagonally chop gently folded tissue paper and almost the same with toilet paper.

    #31494
    Anonymous
    Inactive
    • Topics: 14
    • Replies: 427

    Thanks for the input… I started out just looking for a sharp knife. I thought sharpness was the end game…I didn’t realize how important the steps to get there would be. because my sharpening history ( 55 years ) has only rendered a knife edge to be ok not wicked sharp.

    I felt as though my idea of a sharp knife was one that cut through what I wanted no matter what pressure was necessary to accomplish this task. Not only that, but my former knife edges were never uniform. Some areas of the edge were sharper than others.. this is all because I could never repeat the angle stroke holding the knife in my hand and drawing it across a stone. Each stroke was different than the previous.

    When the WEPS came into view, it was the thing that corrected my variable hand stroking angle.  I’m finding that experimentation has taken me a long way since I started to aggressively look at technique. In the other thread on stropping , I elaborated a little on my findings.

    For my kitchen knives I’m using a 10* degree angle, knowing that I’m going to have to touch them up much more often than when these knives where 18 * degrees.

    My EDC knives and my utility knives are getting 20* degrees because they see more variance in cutting pressure and work load.  flesh cutters and rope cutters do better when they are specifically designed to cut through specific things. My tomato slicers would not last one day out side of the kitchen environment. I’ve never had that pleasure before.

    I never really knew what a truly sharp knife was.. Now that I know, I can tell when they are not at their peek.  It only takes a few minutes to bring them back to wicked sharp. A couple strokes with the ceramics, then a little dry stropping. I like Balsa because I don’t have to change the angle by 2* degrees so as not to dull the edge with leather overlap. I use balsa and # 50,000 grit diamond paste. I use it unlubricated. Again its the feel that I am after. I now know what that is. I expect my technique will evolve over the next few months. I am miles ahead of where I was 2 months ago when I started.

Viewing 15 posts - 1 through 15 (of 27 total)
  • You must be logged in to reply to this topic.